The Urim and Tumim were objects used in ancient Israel as part of the High Priest’s “Breastplate of Judgment,” a tool for decision-making during times of war or crisis. Set with twelve gemstones engraved with the names of the Twelve Tribes, the breastplate was consulted by the High Priest, with answers revealed through the stones’ appearance, by glowing letters.

The term “Urim and Tumim” translates to “Light and Truth,” and they were likely parchment, placed within the breastplate. Used to settle major disputes, like territorial boundaries, they could only be consulted by high-ranking figures for the public’s benefit.

Mentioned in Exodus 28:30 and 1 Samuel, their use ended when Jerusalem was sacked by the Babylonians.

These artworks, including six collaborative pieces with Katarzyna Kozera, highlight their historical role, some featuring Augmented Reality videos viewable on devices.

Other paintings depict the stones’ inner light and tribal names, often in ancient Paleo-Hebrew script.